Monday, 29 December 2008
Amateur anime now:
The first film was shot frame by frame with an 8mm camera by three animation students, made for a scifi convention in Osaka. They would go on to found studio Gainax [Evangelion, FLCL, Gunbuster, Tengen Toppa Gurren Lagann, etc ect]. One of them was Hideaki Anno, one of those anime directors where when you see one of his films, you can recognise anything else he's done, because his own style is so heavily imposed on it. Everything is hand drawn and its all pretty crude but its still exciting to watch. In Daicon IV [the film with ELO music] the animation staff increased to 9 or 10, all of them future Gainax animators [including Yoshiyuki Sadamoto, recently did illustrations/concept art for Rebuild of Eva], still as an amateur studio you can see how good the production values are. Some of the effects just put modern animation to shame. Unfortunately, this was the best quality video I could show you. Apparently it could never be commercially released because they never got permission to use the song Twilight or the Playboy bunny outfit, ha. Do you see all the references to Star Trek, Star Wars and American comics? There's also a load of old anime characters in the crowd at the end, I see Kamen Rider and possibly Char from Gundam, as well as Spock in a tux. I've written too much about it, but I love these! Its so interesting to see the first works of this studio.
The second thing I linked to is another piece of fan-made anime which was released yesterday at the 75th Winter Comiket . It's based on a series of shooter games called The Touhou Project created as an amateur work by a guy called ZUN, although he's nothing to do with this animation. The fanbase for this game is so huge [over 1300 artists circles selling fan-made manga at C75] Maikaze got professional voice actors to appear in the anime, so I was a little excited to see it, although I wasn't expecting much. I won't link to the whole unsubtitled 20 minute episode, but the animation shown in the trailer is pretty much the extent of what was on offer. The background art is nice, but actual 2d animation is really scarce, and I won't go into what I was expecting from the story/theme. I know I'm being quite mean to criticise such an amateur production, but Maikaze had unlimited time to make this, along with modern technology which is supposed to speed up the animation process; this looks like it was outsourced to Korea. They also had their love for Touhou to fire their blood! Its just so poorly crafted compared to what was being made all those years ago. I don't think I'm being to harsh to feel disappointed.
I'm sorry, I think I talk about my hobbies too much. But if you're at all interested in anime, anything by studio Gainax is worth watching. Even if you hate anime and are beginning to regret following my blog, I guarantee you there are great things amidst a vast ocean of shit. Even things which aren't about magical little girls.
Weekly tasks coming soon...Really...
Saturday, 27 December 2008
Anyone interested in the comic book industry, or had considered using this as a gateway route might be interested in reading. Its pretty funny and shocking. This is fairly old news, I know, but I thought I’d link it here in case anyone hadn’t heard of this yet.
I can’t say I’m surprised. When I first saw the advertisements for this competition it really did raise my suspicious that TP were out to exploit artists. They just come off as incredibly patronising, I mean just read that terms/conditions contract. I’ve never seriously considered entering before I read this as more than a passing fancy, and [quite arrogantly] I thought, would I really want to be published with a company which has a whole branch of ‘American manga’ and spreads misconceptions. I know that having any kind of publication is an achievement, and perhaps this sounds like I’m just jealous of some of those decent artists and bitter of the idea that the precious manga style isn’t tainted by filthy westerners, but it’s not like that. I think that when you are passionately interested in something, enough to be inspired to do something creative because of it, you should make the effort to understand the context and history of that thing. Don’t the two come together? It seems not. If it did, more people would know that manga refers to comics made in Japan/by people brought up in Japan. Its manga because they have that whole history and process in their work. I don’t want to put too much emphasis on this part, because of course it’s still a grey area, but I do believe that comic books that go through Japanese publication and have been made by someone who has absorbed that culture [its that more than a race thing, but how many white people are born and brought up in Japan? It’s easier to refer to race] should be the only comics we refer to with a Japanese word, just like manhwa refers to Korean comics. It’s just logical, isn’t it?
I like comic books from any country. Even if I come across as fanatical [please don’t agree with this] I don’t worship glorious Nippon [like any country, there are of course repulsive things about it as well as interesting]. But I don’t see why these Western comics should be marketed as manga just because they have a few googly eyes and effeminate men in there. It just comes across as shallow to me. No matter how well the style is emulated [what is ‘the style’? Manga is any kind of narrative art coming out of Japan, we only see like, a tiny tiny percentage of what publishers think would appeal to consumers over here. There is no definitive style, it’s like saying all American comics feature big, steroidy muscular men in tight pants], it’s still a comic. It’s like those people don’t acknowledge their own influences outside of manga at all, and selling stuff as Amerimanga just shows the publisher’s ignorance [or they’re underestimating their audience?].
So, my family is pretty working class and we’re from a decent rural pocket of a rough area. Kids slapped teachers at my middle school and all that sort of thing; my school experiences were most likely no better or no worse than anyone else’s to be honest. Just think how absorbed you are into British and American culture, even if you’re not aware of it. Everyone has had some great memorable experiences in their lives. I don’t see why all those things shouldn’t influence you when writing/drawing a story. I don’t know how anyone could feel comfortable writing a story about a Japanese high school with Japanese characters in a completely foreign place where all the character’s relationships are idealised. That’s pretty much what most of the RSoM entries are about. There’s nothing wrong at all with doing it as a personal escapist thing. But I think....People should consider if anyone would want to purchase and read their escapist fantasies in print.
I once played a fan-made visual novel game which I thought was pretty cool. The scenarios were put together pretty well. Then I read the artist’s bio in which she described herself as a Spanish girl who didn’t identify with the Spanish culture at all, and only typed in English or Japanese. It made me think, how can you not ‘identify’ with your own country? You are a product of your country’s culture whether you like it or not, you can’t just ignore something so fundamental. After that, I played the game again and found myself to be highly critical of it. I don’t know whether I was just angry at the artist for saying those things in her bio, but second time through I found the characters and dialogue to be very unrealistic and full of bad melodrama. It’s probably a bad thing that I let the artist’s personality and views influence my judgement. But I still have this negative disposition to people who call their work manga when there’s no reason for it. It’s a bad habit. A lot of the RSoM entries are very good, the 2006 winner June Kim has some really awesome illustrations on her site [please look at it!], and the comic 12 Days was great – it didn’t even feel like manga, which its not supposed to, but the publisher says differently.
So, I don’t like Tokyopop so much, the only comics about Japanese highschool I want to read are from people who have been through Japanese highschool. Please Amerimanga artists, read some good western comics and write something about your own experience, I would very much like to read it!
Monday, 22 December 2008
If, like me, you're into imagery such as boys, flowers and animals, I just discovered the Sackcloth and Ashes blog after seeing the artist's fanart images floating around for a few years. The Alice in Wonderland illustrations in the memo are really nice if you scroll back a few pages. Makes me wish my own Alice illustration book [Must photograph that properly one day] was a bit...freer. I really should have developed that more. Also, this, this and this are really nice to say they're made with the online equivalent of MSpaint. Actually, just look at the gallery.
Unfortunately, most of her oils on the site have been taken down because of online distribution and people actually printing and selling her work without permission, and obviously you can't claim copyright to fanart. Discovering her original illustration recently was quite refreshing, even if [like me] you find yourself incrediby jaded by manga, yet can never stop yourself from looking for it. Its just fascinating to see simple line drawings by an artist who you've only seen do fully-rendered paints.
Ironically I only knew about this artist by unauthorised distribution in the first place, but its definately not the first time I've seen whole galleries removed due to people saving and reposting images elsewhere. It's a shame, because even with notices saying not to repost, when you publish something on the internet, there's nothing you can really do to stop people distributing it without your permission, especially when those people speak a different language [though this incident was caused by Japanese-speakers]; so I think you should be emotionally prepared for that to happen as soon as you publish your work online.
Also, can anyone read the kanji for the artist's name? I can't even find it.
Wednesday, 17 December 2008
I do like my PS3, but if the PS2 is a brick, this thing is a cement block. It looks good, until you see it IRL. I know that for a home console, they should be a relevant size for their environment, and since we have the PSP transport isn’t as necessary, but I just find it too heavy. I am not looking forward to carrying it home tomorrow for Christmas [even though the thing is out of commission right now due to Assassin’s Creed error]. This seems really trivial, but the fact that people, especially University students, part of its target audience travel far more frequently than they used to and want to bring their beloved beast of a console with them is something that should be more doable. Maybe I’m being picky since the PS3 is a MAN’S console and I lack the required manly strength to carry it without living in constant fear of dropping and breaking its precious inside-bits. Perhaps the pure manliness of the PS3 is what attracted me to it. Aside from this, I do think the PS3 looks the best out of the next-gen consoles. I think the X360 looks a bit like a toy. The Wii looks pretty cool but I don’t like white so much. What I did like about the PS3 controller was the similarity to the PS2, and the wireless feature is really nice. Also, I do like the consistency which Sony is giving us, as the user interface of the PS3 is based off the PSP which came before it. The PSP works just like holding a PS controller in your hands with a screen in the middle, and I really love it! I find it much more appealing than the dual-screens or interactive screen and so on. It reminds me of the original design of the GBA, which I also really liked for the symmetry of it.
Menu interfaces on the other hand; I was disappointed at first to find my PS3 rather confusing to use. Small examples such as the fact that when you insert a flash drive, you have to select the ‘see all’ option after the interface tells you there are no files on the drive. And that option is not visually obvious, it took me way too long to figure it out even after going through the menu several times and considering trading in my console with the complaint that it couldn’t read USB flash memory. I am not a natural with computers, at all, but I’m learning to understand these things after many years of persistence. Should I really have to do that? I also find the online network capability ridiculously over-complicated to set up. Again, after reading the manuals, and considering myself a person of average intelligence, I am non the wiser about how to do this. It’s gotten to the point where I’m asking the person who built my computer to come and do it for me, and he doesn’t know anything about consoles. So, why so complicated? How can manuals say so little? Somehow I doubt I would have any less trouble with xbox live. I’m putting it down to my own lack of computer-related intuition/common sense unless anyone agrees with me. I’d estimate that I use around 10% of what my PS3 boasts it can do, and that's not that good, is it?
When will ergonomics go too far? When functionality and accessibility is compromised. My complaints above are more related to basic graphic design than ergonomics, aside from the size/weight issue. But I don’t have that much of a problem with it, if I could use all the features with no trouble then I wouldn’t mind at all.
The joystick is only really useful in things like flight simulators, or the sort of thing used in military training. It lacks the physically interactive features to match the needs of next-gen games, or even games that were made years ago. The ergonomics of the joystick is already incorporated into the analogue sticks present on most other controllers, so it has become quite redundant a while ago. After removing the nostalgia goggles I can remember the joystick being quite awkward and frustrating to use with PC games, but perhaps I was using it for the wrong kind of games? I don’t remember that clearly. Although I don’t think peripherals aside from the standard controller are really necessary, they do look kind of cool, and using a light gun, even if it didn’t work at all, made you feel pretty awesome. Nintendo has always made some weird peripherals such as the Powerglove and the Virtualboy, and its interesting to still see strange unnecessary things like fishing rods come out for the Wii, which they will most likely continue to make for sheer novelty value. Which isn't entirely a bad thing.
[pst, why are these 'thumbnails' blogger gives you always so massive?]
Does story make a better game? Usually, I think, yes, but of course there are varying degrees to what extent ‘story’ is necessary. The primary purposes of story in games are to give the characters [and players] motivations for their actions, to lay out a beginning, middle and end, and to make the player become emotionally connected to the game. I think this aspect in particular is easily overlooked. It is the difference between a game you enjoyed playing that is fun, and something that stays with you in the same way a novel or film does, and games have perfect capability to do that to the same extent. They have the same tools as film – image, sound, and voice. But they also have the extra dimension of interactivity. Depending on the genre, the depth of the story is of arguable importance. For instance, in a puzzle game, an interesting premise/theme is enough, and usually a narrative is a nice bonus that I think should be included more often and usually works well, for example in the Puyo Pop series, the puzzle battles are connected by a simple but appealing narrative that corresponds with the light-hearted style. On the other hand, in games that deal with human killing and other weighty issues, I think they require a heavier level of depth to justify those kinds of themes without appearing arbitrary and shallow.
Reaching a certain point in the game can make the storyline progress by the use of cutscenes, but those are still linear narratives. Some games take the concept of narrative and make progressing through the story the main element of gameplay. The player can be presented with choices at different stages of the plot which lead onto different ‘routes’, and branch off even further to a multitude of outcomes. Even with that type of setup, all the player is really doing is switching from one linear narrative to the next.
After looking at some articles dealing with story in games such as this, and this, while making some interesting points which I will not quote or analyse at the risk of making this entry too long, seem to ignore a genre of game that immediately came to mind after I read the title of this task, Visual Novels. Although classed as ‘games’, examples of this genre are more like interactive fiction, hence the term. All the gameplay consists of is choosing options at decision points; in other words the ‘gameplay’ is completely limited. Does it sound unappealing? Gameplay is usually the thing which we focus on completely. Capcom’s Phoenix Wright series is the best example of a popular visual novel, and I am struggling to think of any more games released in the West which incorporate this style, apart from maybe Atlus’ Persona series as Miles' mentioned or maybe even some parts of Harvest Moon [but even then it’s more of a dating sim, different to a VN as they’re based on statistics where as VNs are based on routes and ‘flags’]. 70% of
The fact that there are pretty much no non-linear narratives in video games could suggest that they’re simply inappropriate for the medium, but I somehow doubt that. Game creators are not postmodern novelists, and I just don’t think the majority of the audience would [literally] buy it. However, considering the standard of game writers, I don’t think the narrative aspects should be ‘dumbed down’ into an easy to follow story when they’re capable of producing more complex things. Instead let people be dazzled and set the standard for other games. I wish. Amateur works probably have a better chance of attempting it rather than big producers which have risks and audience targets to reach and so on. Also, related to the topic I found this which I’d read about in an essay on storytelling once, but I can’t get the Java on my browser to work for this site.
Sunday, 14 December 2008
An Art Director is one of the roles an artist within the company can aspire to. They control and oversee the work of the art team to ensure the deadlines are met, and to monitor the overall visual style of the game. Even though it partly focuses on managerial skills, I still think it is a creative role more concerned with artistic concepts than production. Also, someone who wants this role would likely have a background as an artist directly involved in creating content, who would prefer to take on more responsibility for others, and become less involved in physical production.
I agree that art direction within a game is similar to the role of the same name within a film production. Setting up a shot in terms of lighting, composition, colour and overall style all still apply as much in games as they do in film. They’re the same artistic principles.
The qualities you would need to fit this role I think would be the capability to have a clear artistic vision which you can express to others effectively. Social skills are important, as one of the main focuses is communicating with others, so an Art Director should love to work with people. They should be self confident, as they’re taking responsibilities for others as well as themselves, and be able to work closely with other designers. An assertive but not forceful personality would probably be suited to this job. I’m not sure if this is the kind of role I would like. Having more artistic control does have a certain kind of appeal, as does becoming very involved with everyone else’s work, but I doubt I have the right kind of personality for this job. I’m pretty meek and not forceful with my opinion. More of a ‘yes sir’ kind of person. That’s really bad, isn’t it?
Also, here’s a good place to share something I’m finding very interesting and amusing to play through in game - Toby Gard [creator] and Jason Botta [Crystal Dynamics Creative Director] comment on Tomb Raider Anniversary, Greece level.
I love Director's commentary. Everything should have it.
Gameplay I would define as how the game responds to the player and how we interact with it. For the game to be ‘realistic’ despite the themes or setting, the physics of that game need to be consistent for it to be believable, and for the player to learn how to play and progress. If the rules are inconsistent and sloppy, the player will most likely become frustrated and confused, and unlikely to continue, e.g. rules for which part of a platform the character can land on. SM World series is a good example of platforming which is fun, has a learning curve and just the right amount of tricks.
Gameplay in video games is similar to traditional board games in the way that both ‘worlds’ abide by rules, which are easier to manipulate in video games. They also have more complex sets of rules which happen in the background, of which the player isn’t aware. In board games, you are always conscious of what is and isn’t allowed. I suppose a board game is like a microcosm of a video game, which is logical because their roots are in traditional games.
The Art Director is someone who controls the visual design elements and makes sure these things are cohesive with other areas of the design. The role is very important since games are a visual medium. If there is more than 1 designer, which generally there will be, it should be compromised of a small group who are each specialised in different things, so each person can do their job without spending too long debating over specific issues. Although I think that games should stick to some design principles, I don’t think genres need their own set of rules, as not doing so would leave more room for innovation to avoid cliché. As far as art goes, I like lots of variation as long as it sticks to an overall theme. Other things like gameplay and music can add to certain atmosphere; this kind of thing is more likely to make an impression on you.
I found the examples of New Games Journalism rather interesting, as it does make the exclusive task of reviewing games accessible to any player. I like the fact that the opinions of the reviewers are going to have less bias, but I would personally prefer to read a magazine article which directly deals with the various parts of the game. My own experiences involve reading several different reviews to see what kind of rankings the game of my interest would receive, and generally anything in the 6-10 area I’ve enjoyed, even if my opinions on the specific elements vary.
I stopped reading game reviews in printed media a while ago, mainly due to the price for a small coverage on maybe 1 or 2 games out of the many the magazine would review, most of that information I could find for free on the internet. Professionally published reviews [online or printed] can easily sound like promotions rather than unbiased opinion, and even though all opinions contain some amounts of bias, I think it’s wise to read more rather than less if you’re looking to become informed about a game and make a decision on whether or not its worth buying. To become more engaged with the review, media like video is useful for showing examples of specific features by demonstration rather than description, which I think may become even more popular in the future. With the prices of games, researching before investing is becoming more important than ever.
Not particularly surprising, but I like to look at the stuff on Gametrailers, Gamespot [though less than before since they lost a lot of rep], IGN and pictures on Famitsu.
Saturday, 6 December 2008
Here's my final piece for Abbey park, I have a feeling this is going to look really really muted and washed out on pcs, but there were a lot of subtle changes in colour in the scene which I really liked. Bare trees are awesome, I thought a lot of the other views were too samey really...
Still working on the 2pt perspective, etc.
But here's some more character stuff. Some really quick sketches of the kind of poses I wanted to do. I thought I standing pose would be easier to model in clay, all I really want to do is be able to get the proportions right. Also an orthographic view of the pose I chose in the end.
I'll probably do another one using my own photo ref too. About this project...I'm aiming to really develop it next week and end up with something different. Because its a humanoid, I'm not sure where to take it, unless I just come up with something completely new?
Tuesday, 2 December 2008
Monday, 17 November 2008
Here's what I did for this project while at home. So I really liked the photos I took of the glassy crystals and rocks in the museum. Even though they were behind display cases I got some pretty good pictures. I'm not sure if this fits the brief much, I kind of went off with my own ideas and urge to draw figures, baaaad. But I think it should be okay. In before 'rocks aren't organic', they grow and make different shapes over time, right...? Wait, that's the effects of erosion, isn't it. I'll do better next time.
Its harder on a tablet though, too damn slippery. Need to get a smaller sketchbook for this stuff...My favourite is number 4, just for the pose.
Fffff I will do the blogs soon. Also, I'm at home in Leeds right now, the thing that has been going round has got me and I've been a bit ill. Disappointed I missed yesterday's lesson, and I'll miss tomorrows too...Will just have to catch up. I haven't done as much work as I'd have liked to, haven't felt up to it, but I can never just force myself to rest. Ugh.
Wednesday, 12 November 2008
Well, the past few years I've been finding figure drawings much more interesting and beautiful than fantasy/manga stuff, or polished imagery in general. Those kind of things I tend to glance at and say 'cool' without really responding to them, its probably overexposure or something like that. The only time I can really appreciate manga style anymore is when its being used for its intended purpose, i.e. actual Japanese comics. Seeing that kind of thing being done by Westerners tends not to sit right, I think it takes a very creative person to do it well. Personally its not something I'd want to put into my portfolio too much, unless I wanted to show off my hobbies? I kind of see fanart, etc as completely separate from your main work...
Well, I should be catching up on the real blogs, so I'll stop now. Until next time~
Thursday, 16 October 2008
This killed me. I really need help with environments, it looks totally bland to me. I'd appreciate some crit if anyone's in the right mood, just lay into me if you want! I need to improve these things.
It's hard to photograph something 2d decently. I really hope my 3d modelling skills won't be as terrible as my RL modelling skills. I have...A rather bad feeling I'm going to have zero talent for 3d, argh! It seems oh so daunting.
Right click figure drawing for all it's worth and save file as to download the whole thing. I think it's worth a look...
Quotation found within the first minute of flicking through: 'Five feet eight inches (in heels) is considered an ideal height for a girl.'
Oh man, I love old books. When taken out of context, there's at least 3 things wrong with that sentence. Political correctness, who needs it~?
If you take a look tell me what you think of it. I can't wait to do life drawing!!
Tuesday, 14 October 2008
So, in the recent past/current times, games really have to reach certain standards now to meet the demands of the players. Compared to the 80’s, 90’s, and before, most games seem to have to subscribe to some kind of narrative, whereas in the past this element wasn’t really held with much consideration. Something which makes me happy is the amount of games that have interesting or complex plots and endearing characters which add to a distinctive ambience, which really engages your emotions and makes the game more memorable, even if the gameplay wasn’t fantastic. I guess this part is of varying importance to different people, but for me, narrative elements and interesting stylisation is what I tend to go for. I’ve played a lot of RPGs, and I suppose those things are more important to people who enjoy roleplaying and enjoy characters that’re actually compelling – RPGs tend to focus on this a lot, but I’m not saying all RPGs have interesting characters, more and more are suffering from classic anime sameface syndrome but continue to be popular with a certain niche; other genres are actually doing this better now and have been for a while. Immersion has become a more important thing, and I think narrative and visual style contributes far more than photorealistic graphics.
The first game I played with a strong narrative element was Final Fantasy VII, as I’m sure it was for most people. As a 10 or 11 year old kid, I’d never heard of roleplaying before, so I was fascinated with the series for a good few years. Being immature and impressionable, I hadn’t seen much Japanese artwork before either, and I know everyone hates Nomura now for his ‘beltsanzippers’ character designs, but back then all the designs were unique from each other, whereas they stick so closely to one theme now it starts to look generic instead of just cohesive.
Years later I discovered Metal Gear series and branched out from JRPGs, though Yoji Shinkawa artwork made me pick it up. The whole cinematic feel really kept me playing, even though I’m rather poor at the actual gameplay, but there are so many characters in the series to love or hate or have some response to.
With fighting games, I think I probably go about them the entirely wrong way. I choose the characters based on the ones I like rather than who I play well as. I’m terrible playing Jin Kazama and Kazuya, but since I’ve always liked them so much I’ll still play them even if I don’t improve. Tekken is a good example of this genre where there are so many characters, they all have to be appealing and obviously they can’t all be DEEP, but their designs are always rather blunt and immediately recognisable. I like how fighting games can get away with not being subtle at all in this respect, the Guilty Gear series is probably the best example. For this series, the characters and plot are fleshed out more in side-materials like drama cds and light novels, but those are pretty foreign concepts for us. GG also has the ‘choose your own’ storylines which are popular in Japanese games, Western games don’t really seem to pursue that. Also, Daisuke Ishiwatari’s concept art for this series is amazing. [Sorry, no insert pictures, just google it or buy the artbook!]
So, I’ve missed out many many things I wanted to talk about. I wonder if I've written about the right things. Whoops, I only mentioned really popular games!
1985 was the NES/Famicom. [I never had a Nintendo myself, but I went back and played some of the classics with emulators, Legend of Zelda, Super Mario Bros, Metroid etc] Consoles started to use CDs and put things like real video and animation into games when they couldn’t before. There was also the era of handhelds, which further contributed to the decline of the video arcade, and have continued to hold a significant segment of the market
In '96 my parents bought me my own playstation, and obviously I ran home from school and had a strange kind of fit Nintendo64 kid-style. At this point I was already completely obsessed with Sony playstation [and Pokémon blue on GBC], I used to buy gaming magazines that I now wish I kept. I don't read them anymore because there's so many now, and they all seem pretty biased and overpriced. I was really into Oddworld around that time, because that game just stood out from everything even in the demo version. I think it was a pretty popular game, so most likely you'll know what I'm saying about how genuinely macabre it is, which makes it special because it isn't even supposed to be a horror game or spooky at all, its actually kind of humorous, but Sligs are just the scariest thing in the world, aren't they? That mechanical noise when they walk, you hear one coming closer and you know he's going to gun you down on site and laugh in your face. Or force some poor slave into a meat grinder. Also, remember those scrolling marquees with the ‘motivational messages’ in the meat factory? So so disturbing.
I said before I went back and discovered Tomb Raider on PSX. TRII was my favourite because it had the better action, [exploding Lara] but TRIII had those cool cinematics. Or they seemed so great at the time. They got a bit silly after Toby Gard left, but I still played the games. I don't even care if Lara was designed to pull in the male audience, as someone who generally dislikes the way females are represented in any form of mainstream media, I love Lara because she uses her strength and intelligence to get to places in this really dignified way, and at that time weren't most female game characters either innocent weaklings or super-violent dominatrixes? It disturbs me that we still see these lame things today. Also, she had a butler and a quad biking track, what's not to like.
Though saying that, I'm really unimpressed with the default costume for Underworld, it brings back bad memories of AoD.
One half of the games industry begun in 1951 when a manager at a military base, Marty Bromley, launched SEGA [SErvice GAmes], which would eventually grow into the coin-operated arcade industry which boomed in the 70s. The other half began with the creation of the first interactive computer game on a mainframe computer, Spacewar! in 1961. It was developed by student Steve Russell, and was later adapted into Computer Space, the first coin-op video arcade game by Nolan Bushnell, founder of Atari.
Tennis for Two was showcased in 1958 by Willy Higinbotham on an analogue computer. About a decade later, Ralph Baer patented the idea of an interactive table tennis television game for his invention, the Magnavox Odyssey, the first home gaming console [he also invented the first light gun game].Pong was released in the same year by Atari as a coin-op, and Magnavox sued Atari claiming that Bushnell had stolen the idea. Apparently it was settled out of court...!
Now, personal history! The first game I ever played, I was too young to really remember much of it, but it must have been the very early nineties on my Granddad's old Macintosh computer. I guess it was something aimed at young kids, involving this turret made of about 10 pixels used to shoot a robot which danced around the screen. Its a shame I don't remember more about it. Also, in reception class we played this really trippy game on those old Apple computers again where you had to join together walking clouds with eyes in pairs based on colour. [Hnn, that sounds...Familiar.]
I didn't own my own console ‘til 1995, but one of the earliest video games I played was Sonic the Hedgehog on the Megadrive, as well as a load of film-based games on the Saturn at other people's places. It was like a super rare exciting thing, because my friends always hogged them and I hardly ever got a turn.
When they first game out, my best friend's brother got a Playstation and we started playing colourful games like Croc and this really weird one called Bubsy 3d. I wish I still had that, it was awesome, in a really bad way. For some reason, said friend also had the PC version of Tomb Raider, but we used to share the keyboard with one of us on directions and one on actions, so we never got past the first obstacle. I re-discovered it a few years later.
So, since this entry is already reaching tl;dr, I'll continue in the next post.
Tuesday, 7 October 2008
To make this a useful first post I'm going to put some drawings in here instead of blathering on, so, here's some screencaps of the stuff I've been working on this week. Just click on them to full view for the time being, until I figure out how to edit the template html properly.
First digital paint of a landscape I've done, it's really hard. I sat under a bridge for an hour or so in the rain, on my own with people walking past, but it was the best one I managed to draw. Goddamn this rain. Well I scanned it into PS and just painted over the top, took a few photographs of the scene for colour reference but they came out really...whited-out and dull, so I ended up painting from memory mostly.
So here's how it turned out. Looking at the reference photos now, the angle of the far riverside is completely wrong, so is the direction of the water. I just liked the idea of having a big dirty dark bridge in the foreground. I need serious practise at this.
Bradgate Park was fun. It made me want to sing Kate Bush songs.